Works list
This list is sorted by year composed. This is not an exhaustive list of every piece I’ve ever written. Click on a title for more information! For things you can buy right now, go to my Works for Sale page. Once you find one piece for your instrument, you can use its tags to navigate by duration and instrumentation and filter much faster! (Works listed without pricing information are not currently for sale. To inquire about these pieces, please send me an email.) Please note all pieces purchased from my website will be delivered electronically. If electronic receipt is not possible for you, please get in touch so we can find an appropriate workaround.
I am working on updating my musical catalog to include a supplementary edition of each score in the Atkinson Hyperlegible typeface so low-vision and dyslexic readers can more easily access my work. Scores listed with an (HL) already include this edition with each new purchase. If you have previously bought a work and would like this edition or the piece you’d like doesn’t yet have one, please email me using the information on my Contact page so I can expedite that!
For information about project-specific works from Letters from the Aftermath (denoted with an asterisk (*)) and LETTING GO, visit each of the pages listed above or start from the Projects catchall. Pieces preceded by a triangle of dots (∴) are awaiting their world premieres. I promise they’re lovely, and if you’re looking for something new but don’t have a commission or consortium budget, this is a great option.
For large ensembles: I know you might need to print additional copies of the scores and/or parts you purchase from me. That’s totally fine, as long as it’s for your ensemble’s use or to meet festival requirements! Make as many copies as your ensemble needs—for this performance and those in the future. If you need written permission to possess and use additional copies of a score, shoot me an email (either as you make your initial order or before your performance), which you can find on my Contact page.
2027-8
[Title TBA]—concerto for trumpet and piano OR fixed media. 12-20′ (HL)
Consortium information coming in mid-late 2027.
[Title TBA]—trombone choir. 5′, hopefully. (HL)
Anticipated price: $30.00.
[secret project]—information TBA in 2027. (HL)
[Title TBA]—trumpet and piano. 5-6’30” (HL)
Commissioned by Rowyn Belt. Available for performance January 1, 2028. Anticipated price: $25.00. (This work will be on sale for $20.00 from December 1, 2027-January 15, 2028.)
2026
[secret project]—information TBA in 2027. (HL)
Anticipated price: $30.00.
down the garden path—intermediate brass soloist and fixed media. 3′ (HL)
This is an adaptation of Part I of go to the garden (2022), with additional considerations made for young and/or developing players. A great first solo piece that sets performers up for a seamless transition into learning go to the garden in full as they advance! Current solo parts available: trumpet, tenor trombone, euphonium, bass trombone, tuba (French horn coming early 2027). $10, but frequently on sale.
Proof of Identity—trumpet, fixed media, and percussion. 7-8′ (HL)
This consortium is recruiting privately; send me an email for information. Available for performance after September 30, 2027. Anticipated price: $25.00. (This work will be on sale for $20.00 for the first month it is available.) An alternate title will be provided for this work to facilitate its performance in censorious jurisdictions.
2025
Afterlives—trumpet and piano. 6’20” (HL)
Commissioned by Louie Eckhardt. Available for performance after October 31, 2026. $25.00.
Echoes—cornet and piano. 6′ (HL)
Commissioned by consortium—Jen Oliverio, consortium lead. $25.00.
Worlds We Might Have Known—brass trio. 4′ (HL)
Commissioned by Ternion Brass: Brianne Borden, Heidi Lucas, and Bruce Tychinski. $25.00.
Campfire Stories—trumpet, narrator, and fixed media. 3’05” (HL)
Commissioned by Anabel Rattray. $15.00.
2024
anywhere at all—two voices.
For J.
The End Of the World (I’m Not Dying)—wind ensemble. Grade 4. 10’20”
Commissioned by Gretchen Renshaw James, Nancy and Craig Wood Odyssey Associate Professor of Music, Hendrix College. $60.00 for full score and parts; $15.00 for study score.
Click here to rewatch the world premiere.
2023
Closing the Distance—fixed media with optional flugelhorn.
For J.
body, mind, and heart—flugelhorn and fixed media, with optional live narrator. 10′ (HL)
Commissioned by Brianne Borden. $25.00.
see me—tuba and fixed media. 7’05” (HL)
Commissioned by Steph Frye-Clark and ETSU as part of the Research Development Grant, Amplifying Queer Composers. $25.00.
KENOCHORIC—advanced brass quintet. ~20′ (HL)
Commissioned by consortium—Matthew Onstad, consortium lead. $40.00.
2022
(Calm) Before the Storm—wind ensemble OR 4-part flex ensemble. Grade 2-2.5. ~2′
Orchestrated from RPM (2015). $50.00 for wind ensemble version (includes flex); $25.00 for 4-part flex edition ONLY.
neverending rain—wind ensemble OR 4-part flex ensemble. Grade 2.5. ~4′
Commissioned by consortium—Nathan Witte, consortium lead. $50.00 for wind ensemble version (includes flex); $25.00 for 4-part flex edition ONLY.
a song for past selves—flugelhorn and piano. 4′ (HL)
Commissioned by Carrie Blosser. $20.00.
go to the garden—trumpet or other brass soloist and fixed media. Playable at approx. 3′, 6′, and 9′ (HL)
Commissioned by consortium—Ashley Killam, consortium lead. $35.00.
go to the garden is currently available for trumpet (Bb or C), tuba, trombone, and euphonium soloist. More instruments coming soon! (Originally written for trumpet.)
whispers i & ii—trumpet and fixed media. 2’+ (HL)
Commissioned by Connor Johnson. $15.00.
2021
The Dead Scar—fixed media. 9’30”
Available for listening on Bandcamp.
∴a thousand miles away—wind ensemble. Grade 1-1.5. 3′
Commissioned by Nathan Witte. $45.00.
uncharted—trumpet and fixed media. 2’40” (HL)
Commissioned by Caitlin Krueger. $20.00.
2020
this is how it starts and this is how it ends—narrator and fixed media. 1’50” and 2’10” respectively
(Available for listening on WEAKNESS; for performances, drop me a line using the link above.)
all but impossible—narrator and fixed media. 6’05”
(Available for listening on WEAKNESS; for performances, drop me a line using the link above.)
this is my brain on nothing—fixed media. 4’45”
(available for listening on out of the dark; for performances, drop me a line using the link above.)
Sky Harbor—two voices. ~2′
For Nick St. Croix. All voice ranges are appropriate for this piece. $20.00.
(Available for listening on WEAKNESS; for performances, drop me a line using the link above.)
dreamer//precipice—bass trombone and fixed media. 4’30”
For Nick St. Croix.
(Available for listening on WEAKNESS; for performances, drop me a line using the link above.)
This Is What Love Is—(notated for) two F4-C5 voices. open duration (traditionally notated score!)
Transpose up or down as you’d like. All voice ranges are appropriate for this piece. $15.00.
Helios—trumpet and fixed media. 8’30” (HL)
Commissioned by Alex Wilson. $20.00.
Pushing Back—trumpet, bass clarinet, and fixed media. 4’35”
New edition coming soon (temporarily out of stock). $25.00.
2019
Uncompliant—mixed ensemble. (text score) 8′
Commissioned by the Nash Composers Coalition. $25.00.
just a little bit—open score. (text score) open duration
All voice ranges are appropriate for this piece, if you choose to use your voice. $10.00.
don’t call it a love song—solo trumpet, fixed media, and optional voice. 9′
(Available for listening on WEAKNESS; for performances, drop me a line using the link above.)
LETTING GO (Icarus)—solo trumpet and optional electronics. open duration
Written for myself.
Not for sale.
growing wings—fixed media. 2’52”
For Ashley Killam on her wedding day. (available for listening on SoundCloud.)
burn it*—fixed media. 2’25”
(available for listening on out of the dark; for performances, drop me a line using the link above.)
Bored Games—two trumpets and fixed media. 7′
Commissioned by Ashley Killam and Anne Linebarger. $25.00.
Parades Into the Void—trombone, piano, and unseeing audience. 4’20”
Commissioned by Jordan Aileen Wainwright. $20.00.
LETTING GO (off the cliff)—solo trombone and optional electronics. open duration
Commissioned by John Pisaro. $15.00.
Stanford swimmer*—trumpet and fixed media. 3’30”
Not for sale.
Panic I and Panic II*—open score.
Written as part of face the mirror, Panic I and Panic II can be performed together or separately.
All voice ranges are appropriate for this piece, if you choose to use your voice. $10.00.
stories/walk free*—fixed media. 10′
(available for listening on out of the dark; for performances, drop me a line using the link above.)
Here Be Dragons—wind ensemble. Grade 4. 4’40”
Commissioned by Denton Grant, dir. of bands at Allendale High School.
$45.00.
walking/I’m sorry, Mom*—two narrators and moving a cappella choir. ~5′
Commissioned by Tanner Pfeiffer for the Contemporary Vocal Ensemble at CalArts. $35.00.
All voice ranges are appropriate for this piece.
You Probably Don’t Remember Me*—solo harp and fixed media. 3’45”
Commissioned by Helen Hill in honor of Sexual Assault Awareness Month. $20.00.
2018
People Talk*—symphony orchestra and roaming, raging narrator (with option for chamber orchestra). 13’30”
Commissioned by Nicholas Deyoe for The Ensemble.
Chamber orchestra: $45.00 score and parts. Symphony orchestra: $60.00 score and parts. (Make as many copies of scores and parts as you need!)
All voice ranges are appropriate for this piece.
Zero G—trumpet and fixed media (rev. 2026). 3’45”-4’15” (HL)
Commissioned by Garrett Klein. $25.00.
Also available for euphonium and fixed media—same link.
women’s work (collective mend)*—A3-A5 voice and objects. 3′
Text by Felicia Zamora. Commissioned by the Arizona Women’s Collaborative.
Free (click link above and scroll down for file).
like no one’s watching*—one or more victims/survivors/casualties. (text score) open
Free (click link above and scroll down for file).
All voice ranges are appropriate for this piece, if you choose to use your voice.
∴Thrillseeker—brass quintet. 5’+
Commissioned by Oakwood Brass-Outreach Project.
Not for sale.
silhouettes—trumpet, trombone, and piano. 5’10”
Commissioned by Willis Dotson and Jared Jarvis. $25.00.
∴call it an accident—six voices. 3′
All voice ranges are appropriate for this piece. $35.00.
∴all in a row.—four-part choir (a cappella). 2’30”
Text by John Reed.
Voice ranges: B3-Db5, B3-F#4, Db3-E4, B2-Db4. $25.00.
Shatter the Heavens—three trombones and two tubas. 5′
Commissioned by Luke Storm for the CalArts Brass Ensemble. $25.00.
The Adventures of Wichita Joe and Danny Díaz—big band. Grade 2.5. 4’+
Commissioned by Jeremiah Jacks. $35.00.
CA-198—two voices. 2′
All voice ranges are appropriate for this piece. $20.00.
(Available for listening on WEAKNESS.)
Take What You Want*—two narrators with sad stories. 3′
All voice ranges are appropriate for this piece. $20.00.
Your Mouse God is Dead—two voices and megaphones. 2’30”
Commissioned by John Pisaro and Ian Stahl. $20.00.
All voice ranges are appropriate for this piece.
2017
multitudes—trumpet, trombone, harp. 3′ (HL)
Commissioned by Robin and Steve DeJarnett. $20.00.
He Probably Just Likes You*—saxophones, trumpet/flugel, rhythm section, and narrator. 5’30”
Commissioned by the Nash Composers’ Coalition. $25.00.
Red Light Horizon—big band. 6’+
Commissioned by Julie Bounds for Santa Teresa High School Jazz Band I. $35.00.
strength in all things—wind ensemble. 6’10”
$45.00. (Make as many copies of scores and parts as you need!)
Tipping Point—fixed media. 45″
Commissioned by Tess Galbiati.
Listen to Tipping Point here.
Liar, Liar—fixed media. 3’30”
Commissioned by the ASU chapter of Society of Composers, Inc.
(available for listening on out of the dark; for performances, drop me a line using the link above.)
2016
Red Light Horizon—saxophones, trumpet, and rhythm section. 6’+
Commissioned by the Nash Composers’ Coalition. $25.00.
Don’t Tell*—fixed media. 5′
(available for listening on out of the dark; for performances, drop me a line using the link above.)
Storm Warning—five trumpets. 5’40”
Commissioned by Dr. Alex Wilson for the Grand Valley State University trumpet studio. $20.00.
Second Sight—jazz combo. 2’+
Not for sale.
Bells—C4-F5 voice and piano. 3′
$15.00. Also available for C3-F4 voice and piano (same link).
Horizon Line—string quartet. 4′
Commissioned by the Phoenix Art Museum. $15.00.
2015
Fade to Black—flute and piano. 5′
$15.00.
Earthquake City—eight trumpets, including Eb alto and optional piccolo. 5’40”
Commissioned by Dr. Alex Wilson for the Grand Valley State University trumpet studio. $20.00.
Also available for eight Bb trumpets using the same link (no alto, piccolo still strongly recommended). $20.00.
RPM—trumpet trio. 6′
For Parker Nakamura and Robert Lau Giambruno. $15.00.
Also available for brass quartet (2 trumpets, trombone, tuba)—same link.
Flatline—solo piano. 2′
$10.00.
2014 and earlier
Sibling Rivalry (2014)—trumpet quartet. 4’15”
$15.00.
Supernova (2014)—brass quintet. 4’30”
Commissioned by Robert Lau Giambruno. $15.00.
One-Hit Kill (2014)—two trombones. 3′
Commissioned by Ben Larson and Alex Mayhew.
Not for sale.
Gentle Fingers, Iron Fists (2014)—solo piano. 3′
Not for sale.
Seven for Brendan (2012)—tenor sax and trumpet. 4’+
Seven for Brendan can be adapted for trumpet/soprano and trumpet/alto as well, though it sits best on tenor. I don’t give it out much anymore, but if you’re interested, drop me a line.
Tour de Force (2012)—wind ensemble, grade 4-4.5. 4’30”
Written for the Santa Teresa High School Wind Ensemble. $40.00.
Life is a Whirlwind (2010)—solo piano. 1’30”
Commissioned by Robin DeJarnett.
Not for sale.
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