[Before we start: hi, everyone! I’ve been asked to do this on and off for a few years, but today, I’m releasing a video essay on my YouTube channel to accompany this written reporting on data vulnerabilities at the Institute for Composer Diversity. The video will be a little more
Read MoreA year ago today, I published what I thought would be a relatively low-profile explanation to my readership about why I was removing myself from the Institute for Composer Diversity’s databases. I shared the email I’d sent to the Institute, along with some additional comments contextualizing my words and my
Read MoreWelcome back! Today we’re wrapping up our multi-day adventure through the ICD review. If you haven’t read the previous installments, I recommend checking out Part 1 and Part 2. After we conclude our point-by-point walkthrough, I’m going to mention some major concerns I didn’t get to talk about previously. As
Read MoreGreetings, one and all, and welcome back to our multi-day escapade through the ICD internal review. If you’re new here, fear not! You can go back and read Part 1 to catch up on what we’ve discussed previously. Today, we’re finishing our look at ICD’s communications breakdown; we’ll also discuss
Read MoreGood evening, folks, and welcome to my analysis of the 2020 ICD Internal Review. After spending months systematically failing the marginalized composers they claim to advocate for, the Institute for Composer Diversity has finally taken time to stop making non-apologies and engage in some institutional introspection. While this internal review
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