At a passing glance, it may seem odd that the International Women’s Brass Conference, a nonprofit that’s worked with (at least some) gender-marginalized people since its inception, might not handle gender very well. Folks who can’t see non-cis microaggressions may never spot any issues in their social media content. People
Read MoreHi there, everyone. Holy crap. If you’re reading this, we’ve made it past the ICD Review. Hopefully I’ll be able to take a few weeks after this and talk about something else, both on my blog and with my partner. I’ve got a few weeks’ worth of thoughts pre-loaded for
Read MoreTo the men who are my peers and colleagues (and plenty of other people in my spaces): I’ve seen a lot of “VOTE.” lately, especially since RBG died. While I’m excited you’re all (theoretically) taking your civic duty seriously, I also know that for some of you, this is what
Read MoreWhen I was an undergrad running with the jazz boys, no one wanted to sleep with me. …Yeah, I didn’t know how to start this one, either. For all my work addressing sexual assault, I actually don’t spend all that much time dealing with sex. (I tend to leave that
Read MoreIn the last year, I’ve sat down several times to break down problematic and offensive programming and publishing decisions by major music institutions. Sometimes it’s started on Twitter, sometimes on my blog, but I’ve found myself circling back to many of the same issues again and again and again. In
Read MoreOver the past few years—especially since the election—I’ve seen lots of meaningful conversation, art, and advocacy on behalf of women composers and their work. I’ve seen an elevation of public consciousness—not necessarily across the board, but within classical and jazz spheres, to be certain. And yes, we’ve got a lot
Read MoreThere’s a tumblr excerpt that goes around every once in awhile about respect. Though I’m sure I can’t quote it verbatim, the gist of it is that there are two types of respect: “you treat me like a human” and “you treat me like an authority.”
Read MoreLet’s talk, for a moment (or an evening), about the first company that ever made me feel *less than* as a female composer.
Read MoreIt’s December 1, 2019, and I’m propped against the comfiest pillows in my apartment, poring over the second edition of Robert Walser’s Keeping Time: Readings in Jazz History in preparation for a forthcoming guest lecture. I’ve got tons of time—until sometime next semester—but because I’m trying to highlight the connections
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