Over the last year and a half, my transition has taken me to some pretty cool places. Since coming out as genderfluid, I’ve been able to use my platform (and my artistry!)
Read MoreWelcome back! Today we’re wrapping up our multi-day adventure through the ICD review. If you haven’t read the previous installments, I recommend checking out Part 1 and Part 2. After
Read MoreGreetings, one and all, and welcome back to our multi-day escapade through the ICD internal review. If you’re new here, fear not! You can go back and read Part 1
Read MoreGood evening, folks, and welcome to my analysis of the 2020 ICD Internal Review. After spending months systematically failing the marginalized composers they claim to advocate for, the Institute for
Read More[Hi there! I’ve written a lot more about ICD and their policy decisions since this post. After they released their 2020 Internal Review, I did a three-part in-depth analysis, discovering
Read MoreI read the essay. Some of you likely know exactly which essay I’m talking about, but for those who don’t, I’ve just finished reading JK Rowling’s lengthy response to the correct and
Read MoreOne of the unexpected side effects of government-imposed solitude and a new work-from-home life has been my willingness to get back into video games. (Cutting down on commute helps exponentially with freeing
Read MoreIt’s December 1, 2019, and I’m propped against the comfiest pillows in my apartment, poring over the second edition of Robert Walser’s Keeping Time: Readings in Jazz History in preparation
Read MoreGreetings, folks, and welcome to another episode of Posts I Didn’t Want To Write. Today, we’re using a real-life example to talk about marginalized identity in composition and repertoire. However,
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