Description

Hi, folks. I control where this piece goes pretty tightly. If you’d like to purchase it, please fill out the form below to tell me about your project, and if I’m super into your setting of the piece, we’ll move forward full steam ahead! Program notes and the usual stuff below. If you’re looking for the recorded version, get on over to WEAKNESS on my Bandcamp.

ONLY USE THIS FORM IF YOU WANT TO ORDER A PIECE I'VE LISTED AS HIGHLY CONTROLLED. If there's a regular old Order button, you don't need to fill this out. (If you're looking for a performance copy of a fixed media piece, that's a different form and I'm sorry.)

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Which controlled piece(s) would you like to acquire? *

• don't call it a love song
• dreamer//precipice
• Sky Harbor
• all but impossible
• this is how it starts/this is how it ends (delivered together)

Talk to me about your project. Where do you see yourself programming this/these piece(s)? Are you personally connected to the subject matter? Are there any other important things I should know about you or your project when considering this piece's journey? *

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Long distance sucks. It’s a lot of late nights, phone calls, and “I miss you”s, often without an end in sight. I wrote Sky Harbor after dropping Nick off at the airport for the first time (and maybe the last time while we’re living in different cities, thanks to the pandemic); it was late April or early May, I was missing him badly, and one night, the words just showed up all at once. The next time I saw him, we recorded this together, sitting on his couch with our legs squished together, squeezing each other’s hands to make sure our unison lines were together. It’s still my go-to listen when it’s been a little too long since I last saw him.

(reader, we’ve since moved in together.)

Run time: approx. 2′.