Hi there! Below are the sources I used for my video and accompanying article on the Institute for Composer Diversity’s March 2023 data leak of marginalized composers’ information, including (estimated) 2,000+ composers whose data it shouldn’t have anymore. These sources are listed in order of appearance in the video, so
Read More[Before we start: hi, everyone! I’ve been asked to do this on and off for a few years, but today, I’m releasing a video essay on my YouTube channel to accompany this written reporting on data vulnerabilities at the Institute for Composer Diversity. The video will be a little more
Read More[I am not a lawyer, and this is not legal advice! This commentary is provided for educational and entertainment purposes. Consult a qualified lawyer in your jurisdiction for legal services.] State legislation looks pretty grim right now, folks. For some of you, this isn’t a surprise—at time of writing, the
Read MoreSome of you may have followed this year’s slew of legislative and executive action in states across the U.S. to limit the rights and existence of trans people. Even ifs you’ve only heard about it in passing, what you’ve learned has hopefully alarmed you—and chances are, you’ve only heard things
Read MoreAt a passing glance, it may seem odd that the International Women’s Brass Conference, a nonprofit that’s worked with (at least some) gender-marginalized people since its inception, might not handle gender very well. Folks who can’t see non-cis microaggressions may never spot any issues in their social media content. People
Read MoreA year ago today, I published what I thought would be a relatively low-profile explanation to my readership about why I was removing myself from the Institute for Composer Diversity’s databases. I shared the email I’d sent to the Institute, along with some additional comments contextualizing my words and my
Read MoreWelcome back! Today we’re wrapping up our multi-day adventure through the ICD review. If you haven’t read the previous installments, I recommend checking out Part 1 and Part 2. After we conclude our point-by-point walkthrough, I’m going to mention some major concerns I didn’t get to talk about previously. As
Read MoreGreetings, one and all, and welcome back to our multi-day escapade through the ICD internal review. If you’re new here, fear not! You can go back and read Part 1 to catch up on what we’ve discussed previously. Today, we’re finishing our look at ICD’s communications breakdown; we’ll also discuss
Read MoreGood evening, folks, and welcome to my analysis of the 2020 ICD Internal Review. After spending months systematically failing the marginalized composers they claim to advocate for, the Institute for Composer Diversity has finally taken time to stop making non-apologies and engage in some institutional introspection. While this internal review
Read MoreMany of you, like me, have been following developments at the Institute for Composer Diversity this year. The organization, originally created (as I understand it) as an intentional programming resource for educators and directors alike, has grown beyond its initial constraints and begun positioning itself as a juggernaut of diversity
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