Hello, everyone! It’s been awhile. I hope everyone’s summer has been safe and temperate. I’ve moved regions, the cats have settled into the new place, and though there’s a lot
Read MoreHello, friends, and happy 2022! As we venture forth into a new year, I’m really excited to announce that I’m launching my first-ever consortium today with the help of my
Read MoreHi again, everyone. Thank you all so, so much for the love and support you’ve given me over the past few days. I’m extraordinarily lucky to be in community with
Read MoreWelcome back! Today we’re wrapping up our multi-day adventure through the ICD review. If you haven’t read the previous installments, I recommend checking out Part 1 and Part 2. After
Read MoreGreetings, one and all, and welcome back to our multi-day escapade through the ICD internal review. If you’re new here, fear not! You can go back and read Part 1
Read MoreGood evening, folks, and welcome to my analysis of the 2020 ICD Internal Review. After spending months systematically failing the marginalized composers they claim to advocate for, the Institute for
Read MoreAfter my first trip to IWBC last year, I wrote a little round-up of my experiences there. I kept it pretty top-level, sticking mostly to safe topics and general stories.
Read MoreIn the last year, I’ve sat down several times to break down problematic and offensive programming and publishing decisions by major music institutions. Sometimes it’s started on Twitter, sometimes on
Read MoreIt’s been a busy semester of teaching and grading, rehearsals and more grading, and I’ve found myself composing a little less. This isn’t entirely a surprise—it’s my first full year
Read More[The following is a transcript of a thread I did on Twitter this evening. I’ve kept things as intact as possible, besides some minor punctuation changes to make it make
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